Rolle | |||
---|---|---|---|
2023 | Art-House America: Austin Film Society | Self | ★ 0.0 |
2022 | Douglas Sirk – Meister des Melodrams | Self | ★ 8.0 |
2019 | Dark Waters: The Cost of Being a Hero | Self | ★ 7.6 |
2019 | At the Video Store | Self | ★ 10.0 |
2016 | Xavier Dolan: à l'impossible je suis tenu | Self | ★ 6.0 |
2009 | Great Directors | Self | ★ 5.9 |
2006 | Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir | Interviewee | ★ 0.0 |
2006 | Fabulous! The Story of Queer Cinema | Self | ★ 5.7 |
2006 | Notes on the Death of Kodachrome | Self | ★ 0.0 |
2006 | Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram | Self | ★ 0.0 |
1995 | At Sundance | Self | ★ 5.5 |
1992 | Swoon | Phrenology Head | ★ 5.8 |
1989 | He Was Once | Randy | ★ 6.8 |
1989 | Natural History | Child | ★ 0.0 |
1987 | Superstar: The Karen Carpenter Story | Todd Donovan | ★ 7.1 |
1985 | Assassins: A Film Concerning Rimbaud | ★ 0.0 |